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Save the Date 2011  1  2 3  5 The Season PB
 
E-mail this page to your friends
Black Tie International:
The Stecher and Horowitz Gala Evening
 

Melvin Stecher, Norman Horowitz

 

The Stecher and Horowitz Foundation
Gala Evening

Sunday, May1, 2011, 6:00 p.m.

 

The University Club

New York City


 

The Stecher and Horowitz Foundation will host a Black Tie Gala Benefit on Sunday evening, May 1 at 6 p.m. at The University Club, One West 54th Street, New York.  The 6 p.m. cocktail reception will be followed by a performance by some of the prize winners of The 2010 New York International Piano Competition, the Foundation’s flagship program.  Dinner will be served at 8 p.m.  Tickets $250-$7500 may be purchased by calling 212-581-8380. Noted attendees will include:

Gala Chair, Ms. Janet Tweed Gusman, Gilbert Tweed Associates

Actor Roger Rees           

Carol and Charles V. Schaefer, III

Sunny and Warren Adler, author of “War of the Roses” and 30
other books

Kerry Kruckel Gibbs

Barbara and Eric Elowitz, MD,

Joan and William S. Hearst

Sarah and Martin L. Leibowitz,

Caroline Mousset, Music Director of The Phillips Collection,
Washington
, DC

Donald O. Quest, MD

Veronica and Robert Sherman

Victoria and Dr. Robert Sirota, President of Manhattan School
of Music

Ann Tanenbaum, Lewis Schlossinger

Ron Losby, President of Steinway & Sons

Jeffrey, Von Arx, President of Fairfield University

Rabbi and Mrs. David M. Posner, Chief Rabbi of Temple Emanu-El, NYC
 
                      

Melvin Stecher and Norman Horowitz, Executive Directors of the Stecher and Horowitz Foundation, have devoted a lifetime to the musical education of young people.  Internationally recognized as one of the most distinguished duo-piano teams of their generation, Stecher and Horowitz are equally renowned for their multi-faceted activities as performers, teachers, composers and educational consultants – activities that have earned them a unique position in the world of music. Having been co-directors of the Stecher and Horowitz School of the Arts for 39 years, (1960-1999) it was apparent to both principals that the most important and formative years for developing interested young musicians were the pre-teen years and into the early twenties, a good decade of concentrated and formative development. The New York Piano Competition was originally founded on this premise.

In 2009, the Stecher and Horowitz Foundation announced two major changes in its biennial New York Piano Competition (NYPC). For the first time the Competition accepted contestant applications from outside the United States effective for the summer of 2010, a change in the procedures of accepting applications only from students (American or foreign) who were pursuing studies in the United States. With this development the 2010 Competition was known as the New York International Piano Competition. In addition, it expanded its age category upwards from 14-18 years to 16-21 years – this affords contestants in the late teens the opportunity to interact musically with promising young adults, serving as a challenging incentive toward greater achievement.  The original concept of allowing all contestants to complete their participation without elimination remained the same, fostering the fullest musical interaction between contestants throughout the entire span of the competition. The New York International Piano Competition remains true to its predecessor’s philosophy that the primary goal of a musical competition is to further the musical development of its contestants.

 

 

 
Joyce Brooks

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