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NYU News Doc Film Festival 2026
 
Dr. Judy Kuriansky
Dr. Judy Kuriansky
 
NYU News Doc Film Festival 2026
 

NYU News Doc Film Festival 2026

 
Qatari siblings promote social justice
through a film documentary
and international development

By Dr. Judy Kuriansky
 
As a young girl growing up in Doha, Qatar, Aljawhara AlHedfa says she always had a camera in hand, capturing every family trip and going on iMovie to edit their experience as a memory for years later.

Now, her documentary about a different family’s trip premiered at

NYU News Doc Film Festival
2026,
a film festival of 12 graduate students’ work from the News and Documentary master’s program at New York University. The event took place at the Cantor Film Center in New York City on February 6 and 7, 2026.

Introducing the festival, founder of the NewsDoc program, Marcia Rock, professor and Director of News and Documentary at the NYU Arthur Carter Journalism Institute, expressed how proud she was of
“the wonderful international community of students.”
 
Marcia Rock,Aljawhara AlHedfa ,
Festival founder Marcia Rock introducing documentarian master’s student Aljawhara AlHedfa
 
The films themselves covered international topics, from a Bdoul tribe from Petra, Jordan, to the controversy over wild wolves roaming the Dutch countryside, to an indigenous leader in the Ecuadorian Amazon fighting gold mining companies from dumping deadly chemicals in their rivers.

Aljawhara’s documentary, entitled “O Homeland We Are Back”
follows a family fulfilling their dream to return to their home in Syria after escaping in 1982 from fears of political and religious persecution to live in exile in Doha, Qatar. The Assad regime was shaking down the Sunnis from practicing freely.
 
Aljawhara’s documentary
The family featured in Aljawhara’s documentary
 
The father, Dr. Ameen AlHawari, a Ph.D. in Islamic law, teaches Islamic studies. His wife keeps the home and their daughter, Lubaba, now 37 years old, is a lecturer in Islamic Studies at Lusail University in Doha and studying for her Ph.D. in Arabic studies.

In a particularly emotional scene, when arriving at the Damascus airport in Syria, Ameen dropped to his knees and prayed, out of profound gratitude to return home.
 
Dr. Ameen AlHawari
Dr. Ameen AlHawari, father of the family in the documentary, draped in the Syrian flag, arriving at the Damascus airport. His wife is behind in a wheelchair.
 
“O homeland, we are back regardless of all the hatred and we have prevailed despite the betrayal and we rejoice as light shown from the land of jasmine,” he told Aljawhara.

The mother, Bari’a, was emotional and teary throughout the filming.

“I left at the age of 22 and now I’m 66,” she told Aljawhara. “My legs can’t even walk. What did I do wrong to waste 43-44 years of my life outside my country? Displaced from one country to another. In every country, ‘you’re an immigrant, you’re an expat'…Why am I to blame?
What crime did I do to be a fugitive?”

Lubaba always struggled with her identity since she had never before visited her homeland. She told Aljawhara, “I felt like I didn’t belong anywhere. To whom should I belong? What’s my country? Until I grew older and understood the concept of identity and belonging, I then developed temporarily belonging to places and people.”
 
Lubaba ,Ameen AlHawari,,
Lubaba and her dad walking the streets of Damascus
 
Telling their story was as profound an experience for Aljawhara.

“I did a lot of crying,” she admits.

“It was such a privilege to be part of their life for a couple of months and get to know them. I consider them a second family. We went through so much together, especially with the attacks on their country and not knowing whether they can go back or not.”

With the number of refugees worldwide tracked as 42.5 million and growing as of mid-2025, Aljawhara’s documentary applies to a wide audience.

“This story speaks so much not just for this family, but for people around the world,” she told me. “I really care about human rights stories and immigrants, as human beings, and want to be sure these stories are heard.”

When searching for a story for her NYU graduation thesis, a friend of Aljawhara introduced her to Lubaba in February last year. The two first talked on zoom and then Aljawhara met the family in person in Doha.

The parents were very hesitant at first to share their story, being traumatized by living in exile. “But,” she told me, “When I sat with them and explained my vision, they agreed.”

Aljawhara herself went through much mental preparation, “I did not want to trigger them. I had to do a lot of research and agreed with them about what are the redlines, meaning what I cannot ask”.
 
Parts of what they told her she promised not to reveal.

The plight of refugees is close to my heart. As a mental health advocate at the United Nations for many years, I worked with governments and members of the UN NGO Committee on Migration to ensure that references to mental health and wellbeing, resilience, psychosocial support, and counseling were included in the Global Compact on Migration as well as the Global Compact for Refugees. The success is recorded in a chapter in a book I co-edited on“Psychosocial support for migration and refugees:
Similarities and differences in historic international Compacts”
in the book

“Psychosocial Experiences and Adjustment of Migrants: Coming to the USA.”
https://www.amazon.com/Psychosocial-Experiences-Adjustment-Migrants-Coming/dp/0128237945
 
Psychosocial Experiences and Adjustment of Migrants: Coming to the USA
 
During those negotiations, I made several presentations about the meaning of “home” and the theory of “place attachment” that affords a sense of safety, identity and belonging.

People move either by choice or being forced, due to several factors: political (to escape war or political persecution, as for the family in Aljawhara’s documentary); environmental (after natural disasters); social (for improved quality of life or to be closer to loved ones); or economic (employment opportunities).

As a psychologist, I especially appreciate the emotional challenges of moving, that are varied and can be extremely traumatic, especially when involuntary or forced to live in exile. Common are culture shock and culture bereavement, losing familiar values, attitudes, language, support systems, and cultural and social structures. In addition, there can be confusion about identity, values, and role expectations, and feelings of anxiety, anger, resentment, and powerlessness.

The family profiled by Aljawhara fled their country 44 years ago, although the major Syrian refugee crisis, considered the worst since WWII, began in 2011 when an estimated 6 million citizens fled to neighboring Turkey, Lebanon and Jordan due to the civil war and military efforts to stop protests against the oppressive Assad regime.

Aljawhara’s own dream since childhood was always to film people’s stories.

“My dad got me my first camera and for a school project I made a short film, and my teacher said, ‘you should apply to Northwestern University in Qatar’, where I studied media and communications.”

After graduation, she became a teacher for two years of 12-13-year-olds through a program called “Teach for Qatar,” a collaboration with the Qatar Ministry of Education. Realizing she loved both teaching and film, she wondered, “How can I do these together?” and came up with the idea to study filmmaking at NYU’s master’s program.

Her degree under her belt, now at 27 years old, the very next day after the screening and celebrating with her classmates, she packed up her New York City apartment and flew home to Doha, to a position teaching filmmaking at Qatar University.

Her hero in cinema is Martin Scorsese -- an American filmmaker considered one of Hollywood’s most influential directors, whose films also explore themes of identity, and who also got his master’s degree at NYU (but in the department of Culture, Education and Human Development).

“I like his classic approach,” she says.

Friends attending the student film festival event were moved.

“Her film that follows the family going home to Syria captures the magical moment of someone’s dream coming true, that doesn’t happen that often,” said friend Ruben Mena, a law student working for the Princess Grace Foundation Guild that supports young artists in film, theatre, and dance.
 
Aljawhara Noura AlSabeg, judy kuriansky, May Al Fozan , Lama Al Hammad,
Film festival attendee friend of Aljawhara Noura AlSabeg, Dr. Judy Kuriansky (holding the film festival brochure), Aljawhara AlHedfa and her friends, high school student May Al Fozan and her mom Lama Al Hammad
 

“I cried,” said Lama Al Hammad, an educational consultant working on her doctorate in education at St. John’s University, explaining that many Syrians live in her native country of Saudi Arabia. “But,” as she told me with tears in her eyes, “for the first time seeing this film, I realized the depth of the pain they feel.”

 

Aljawhara and her younger brother Salem overlap in their concern about international affairs and social justice. It was Salem who introduced me to his sister Aljawhara, knowing my past experience as a feature news reporter and talk show host for various media outlets, including CNBC, WCBS-TV and Z100, and producer of short films about my work conducting disaster recovery workshops worldwide from Haiti and China to Iran, and even participating in a mission to help Syrian refugees, especially children, in Jordan. That work is published in the Journal of Infant, Child, and Adolescent Psychotherapy, about “A model psychosocial support training and workshop during a medical mission for Syrian refugee children in Jordan:
 Techniques, lessons learned and recommendations”. See

 
https://doi.org/10.1080/15289168.2019.1690925
 
Judy Kurianski
Salem is the youth delegate of Qatar in the Ministry of Sports and Youth who was in New York City for the United Nations’ Commission for Social Development (CSD), the timing of which coincided perfectly with his sister’s film debut and to help her move. Salem and I attended a session the day before the screening, entitled, “Youth at the Center of Inclusive Development: Strengthening the Participation and Policy Engagement for Social Justice.” Sponsored by the Islamic Cooperation Youth Forum, the event highlighted youth projects integrating technology into social development and inclusion, to fulfill the Doha Political Declaration for Social Development agreed upon at the Second World Social Development Summit in Doha last November.
 
Judy Kuriansky
Dr. Judy Kuriansky and Salem AlHedfa at the UN event
 
Salem and I, along with my colleague Zeever Baqar had met in Doha at the recent Second Commission on Social Development Summit held in Doha, and are now planning programs about youth, technology and mental health.
 
Members of the Qatar Ministry of Sports and Youth with Dr. Judy Kuriansky
Members of the Qatar Ministry of Sports and Youth with Dr. Judy Kuriansky (middle) and Salem AlHedfa (far left) at the Second World Social Development Summit in Doha, Qatar in November, 2025.
 
After seeing the film, Zeever commented, "This documentary is a deeply moving testament to the invisible scars of forced exile. Beyond the physical displacement, it speaks about the psychological toll-the fractured sense of self, the grief of lost identity, and the agonizing feeling of being suspended between two or more worlds, fully belonging to neither. It is a story that speaks for the 42.5 million refugees who carry this burden every day."
 
Dr. Judy Kuriansky, Aljawhara AlHedfa and Zeever Bakar
Dr. Judy Kuriansky, Aljawhara AlHedfa and Zeever Bakar
 
Beaming like a proud papa, Aljawhara’s dad summed up watching the film,
 “It’s like my daughter’s name, which translates into the word ‘jewel’.”
 
Dr. Judy Kuriansky
 
Bookmark  Dr. Judy's Column on Black Tie International Magazine

https://blacktiemagazine.com/Judy_Kuriansky/Judy_Kuriansky_Main_page.htm


 
 
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